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少数民族艺术歌曲是指以民歌音调为旋律基础的创作歌曲。它以甘甜柔美、委婉缠绵的旋律特点著称,博得广大听众的喜爱和欢迎。可是近10年来却很不景气,显得十分冷落、萧条。原因何在?本文企图通过对建国后近40年的回顾,勾画出一条少数民族艺术歌曲发展的走向,并对其冷落、萧条之现状进行分析、研究,寻求它未来发展的出路。文章分两个部分。前一部分用相当篇幅对此歌种发展道路的历史追踪和议论,寻找形成萧条现状之根源,乃是:一为流行歌曲的冲击所造成;二为“民族化”口号掩盖下之崇洋媚外思想长期作崇的结果。怎么办?少数民族艺术歌曲到底应不应该发展?为什么要发展?能不能够发展?怎么样发展?后一部
Minority art songs refer to the creative songs based on melody tones. It is sweet and gentle, euphemistic lingering melodic features known won the majority of listeners love and welcome. However, the past 10 years has been very sluggish, it seems very cold and depression. What is the reason? This paper attempts to outline the development trend of a minority art song through the review of nearly 40 years after the founding of the People’s Republic of China, and analyzes and studies the status quo of its neglect and depression so as to find its way out for its future development. The article is divided into two parts. The previous part traces and discusses the historical development of this song with considerable space, looking for the root causes of the current situation of depression: one is caused by the impact of popular songs; the other is the long-term idea of worshiping the outside world concealed by the slogan of “nationalization” As a result of worship. What should we do? Minority art songs in the end should not be developed? Why should we develop? Can not develop? How to develop?