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一、作为美学范畴的“清”“眉山苏轼,一洗绮罗香泽之态,摆脱绸缪宛转之度,使人登高望远,举首高歌,而逸怀浩气,超然乎尘垢之外。”这是胡寅在《酒边集序》中对苏轼词审美特征的形象化表述。唐五代以来的词创作,基本是在“词为艳科”的理念下进行的,红粉佳人式的轻艳绮靡是词的文体风格定势;苏轼“超然乎尘垢之外”的词作的确打破了这一风格定势,创造了新的美学风范。而这新的
First, as a category of aesthetics, “Qing ” “Meishan Su Shi, a wash Qiluo Xiang Ze state, get rid of the degree of transmigration, people astronomical, singing the first song, and Yihuaihaoqi, beyond the scale of dust . ”This is the visual expression of the aesthetic characteristics of Su Shi in Hu Yin’s collection of wine. The Tang and Five Dynasties since the word creation, the basic is in the “word for Yan Branch ” under the concept of the Pink Lady-style light ornate is the stylistic style of the word; Su Shi The word indeed broke the style set, creating a new aesthetic style. And this new one