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中国山水画与构成学是两个不同的艺术概念,山水画在形式上不求自然的真实性,在“实景”与“虚景”之间表达深刻的精神内涵,“散点透视法”的构图以一种可自由控制的方式,以笔墨表现的点、线、面、体的万物形象,寄托心灵的所向与画面的意境,平面构成是一种造型概念,是现代造型设计用语,是抽象的点、线、面的排列组合,造型上摆脱自然形态、结构上也可以“可自由控制”的方式,创造一种美的秩序和关系。本文意在传统山水画表现形式中,会通构成学的组织形式,以期在对山水画表现形式的学习与研究中,探索可行的理论依据,有效的方法与途径。
Chinese landscape painting and composition theory are two different artistic concepts. Landscape painting does not seek the authenticity of nature in form, and expresses profound spiritual connotation between “real scenery ” and “virtual scenery ”, “ The composition of the law is a kind of modeling concept in a freely controllable way, the image of the point, the line, the surface and the body represented by the pen and ink, the mood of the mind and the mood of the picture, Design language is an abstract point, line, surface arrangement, the shape of the natural form, the structure can also ”free to control " way to create a beautiful order and relationship. This paper intends to form the organizational form of learning in the traditional forms of landscape painting, in order to explore feasible theoretical basis, effective methods and approaches in the study and study of the manifestations of landscape painting.