在20世纪中国的新诗文体中，与传统的诗、词、曲文体反差最大、面貌全新的是自由体新诗。郭沫若《女神》中的《晨安》、《立在地球边上放号》，宣告自由诗在中国的诞生，从“五四”时代走过来的诗人，大都写过自由体，艾青则是以自由体《大堰河》一举成名，晚年又以《光的赞歌》将自由诗推向新诗艺术的高峰。19世纪末20世纪初的黄遵宪、梁启超以“旧风格含意境”为“诗界革命”张帜，但没有取得划时代的成 In the 20th century China’s new poetry style, with the traditional style of poetry, Ci, Qu style the largest and new look is a new verse of freedom. In the “Goddess” of Guo Moruo, “Morning Ann” and “Placing numbers on the edge of the earth” proclaimed the birth of free verse in China. Most of the poets who came from the “May 4th” era wrote about freedom and Ai Qing Free body “Dayanhe” fame, in his later years “Light of the hymn” will be free poetry to the peak of new poetry art. Huang Zunxian and Liang Qichao at the end of the 19th and the early 20th century used the style of old style as the banner of the revolution in poetry but did not make epoch-