《小城之春》所表现的,不是简单的爱与道德的对立。它具有更高层面上的启示性。本片的主题埋藏了复线。表面上,大多数观众都感受到了人物之间关系的发展与最终结局,遵循着中国传统文化中儒家的发乎情、止乎礼。但实质上,如果我们结合电影镜语的创作全面审视,就会发现导演对于剧中每一个人物所怀有的大爱和关怀。所以说如果说这个剧情在开始的时候还存在道德因素,后来就渐渐隐去了。道德与爱并不对立,推动剧情发展的, The performance of “Spring in a Small Town” is not simply the opposite of love and morality. It has a higher level of enlightenment. The theme of the film buried the double line. On the surface, most viewers feel the development and the final outcome of the relationship between characters, following the customs of Confucianism in traditional Chinese culture and stopping the ceremony. But in essence, if we take a comprehensive look at the creation of cinema parody, we will find the director’s love and care for every character in the play. So if there is a moral element in the story at the beginning, it gradually disappears. Moral and love is not the opposite, to promote the development of the plot,