去年秋天,①泰利·丁登福斯、巴巴拉·马瑟斯和撒兰德—奥莱利三家画廊主办了很是精妙的阿瑟·达夫(Arthur Dove)作品展,并同时陈列出安·李·摩根写的颇有份量的几篇文章以及作品分类目录。②这显然意在抬高达夫已颇为尊高的历史地位,不用说,还有其价值问题。展出的许多画作均为这几家画廊所藏,且丁登福斯拥有那笔资产,假若他们不办得那般红火,那就说明他们失职了。 Last fall, the three exquisite galleries of Arthur Dove, hosted by three galleries, Tarry Dingdenfoss, Barbara Mathers and Sarand de Ollei, also exhibited Ann Lee Morgan wrote quite a few articles and works directory. This is clearly intended to elevate Duff’s historic position, which goes without saying that there is value. Many of the paintings on display are hidden in these galleries, and Dudforth owns the assets, and if they do not do so well, it means they have been derelict.