弗洛伊德的人格发展理论特别强调童年经历对人格形成的影响,他认为潜意识中的童年经历会通过梦境的形式片断地、改装地表现在日常记忆中。电影本身就是通过影像对时间保存并陈现的艺术,在艺术家创作中不免对自己童年记忆的反复摹写。正如瑞典导演英格玛·伯格曼曾说过:“我一直留驻在童年,在逐渐黯淡的房子里流连,在乌普萨拉的街上漫步,在夏日小屋倾听风吹大树的婆娑声。”香港导演王家卫便是将自己的上海记忆根植 Freud’s theory of personality development pays special attention to the influence of childhood experience on personality formation. He believes that the childhood experience in subconsciousness is reflected in the daily memory fragmentarily and reflexively through the form of dreams. The film itself is the art of preserving and showing the time through the image, which can not help but make repeated descriptions of the childhood memory in the artist’s creation. As Ingmar Bergman, the Swedish director, once said: “I’ve been staying in my childhood, lingering in a dimly lit house, strolling down the streets of Uppsala, listening to the winds of the trees in summer huts Whirling. ”Hong Kong director Wong Kar-Wai will be rooted in his memory of Shanghai