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随着时间的推移,图象逐渐超越语言成为人们把握现实的途径,以电影为代表的现代艺术已经破茧而出,成为人们在新时代认识世界,审视自己的主要艺术形式。本文尝试通过对于本雅明“灵韵”概念的批判和“机械复制理论”的梳理和细节性考察,为以电影为代表的很大程度上由技术因素决定的现代艺术正名,也试图为“灵韵”的消散找到真正的原因。
With the passage of time, the image gradually surpasses the language as the way for people to grasp the reality. The modern art represented by the movie has broken through the cocoon and becomes the main art form for people to understand the world and examine themselves in the new era. This article attempts to make a name for modern art, which is determined largely by the technical factor, represented by a movie, through the critique of the concept of Benjamin and the theory of “mechanical copy” and the detailed investigation. Try to find the real reason for the dissipation of