黄梅戏的舞台上金花朵朵,争芳吐艳,似乎从来就是女性的天下,以至于有些介绍文字干脆把以抒情女角为主要角色说成黄梅戏的重要定位。蒋建国偏偏要打破重女轻男、阴盛阳衰的局面,期盼生角演员顶起黄梅半边天。黄梅戏的旋律委婉流畅,曾经唱遍了大江南北、长城内外,后来受到时代审 Huang Mei stage on the blossoming flowers, fight Fang Tuo Yan, seems to have always been the world of women, so that some introductory text simply to lyrical female angle as the main role of Huangmei opera important position. Chiang Kai-shek happens to want to break the heavy male and female, yin and yang decline in the situation, looking forward to Cape actress jacked up half plum. Huangmei operatic rhythm euphemism, once sung all over the major north-south, inside and outside the Great Wall, and later by the times trial