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也许,当批评家们和大众传媒在上世纪90年代兴奋地宣布一个散文时代正在向我们走来时,散文已开始显露出一些疲态,出现了“繁华掩蔽下的贫困”。的确,当散文置身于一个巨大的、混乱和喧哗的消费现场,当车载斗量的散文随笔夹着后现代商业社会的声色光影散落于人们的阅读视域中,人们对其批评责难,甚至认为是“世纪末的狂欢”也就毫不奇怪了。但不要忘了:在世纪末的散文潮中诚然有大量世俗化、商业化的粗制滥造之作,同时也有一
Perhaps, when critics and the mass media were excited about announcing in the 1990s that a prose era is coming to us, the prose has begun to show some signs of weakness and the emergence of “bustling under the shade.” Indeed, when the essay is placed on a huge, chaotic and noisy consumer site, when the amount of essays in the essay embraces the sensational light of the post-modern commercial society in the reading field of people’s reading, people criticize it critically and even think It is no surprise that Carnival is the end of the century. But do not forget: in the essay tide of the end of the century there are certainly a large number of vulgar and commercial shoddy productions, as well as one