世纪末的中国画坛正处于向现代形态转型的关键时期。近百年来有关传统与现代、西洋与中国、民族化与现代化、写实与抽象、文人画与作家画等等的艺术论争终于就要有一个初步明朗的答案了。不幸的是这个答案仍不是按传统思维应有的“唯一正确”或“应当”的选择。现代中国画坛给 The Chinese painting at the end of the century is in a critical period of transition to the modern form. In the last hundred years there has finally been a tentative and definite answer to the art debates about traditions and the modern, the Western countries and China, nationalization and modernization, realism and abstraction, literati paintings and writers’ paintings. Unfortunately, this answer is still not the “only right” or “should” option that should be traditionally thought. Modern Chinese painting to give