现在很少有人在纸上写印稿了。但是我一直觉得,书写对于篆刻还是蛮重要的。古人之所以印面变化不测,很大程度上是手写印稿的缘故。从纸到石,需要渡稿。怎样才能清晰呢?介绍一个传统而踏实的办法。一、用水砂纸将印底磨平(也是将蜡、油磨掉),一定要新磨,否则不好上墨。最好用240号的德国进口砂纸,放在平整的石板或玻璃板上,蘸水(最好是在水龙头下滴水)磨,直接用油石磨则要注意油石必须平整。可以用记号笔在印石四周涂个框中间打 Few people now write on the paper. But I always felt that writing is still very important for carving. The reason why the ancients printed surface unpredictable, largely due to handwritten impressions. From paper to stone, you need to draft. How to clarify? Introduce a traditional and practical approach. First, water sandpaper will be polished at the end of India (also the wax, oil off), be sure to new mill, or bad ink. Best 240 sandpaper imported from Germany, on a flat stone or glass, dip in water (preferably drip water under the tap) mill, direct use of oil stone mill must pay attention to the oilstone must be smooth. You can use a marker pen surrounded by a painted box in the middle of playing