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继汉唐后,宋代墓葬无论是从数量、内容、题材上均远胜前者,融合性亦更强,是谓墓葬壁画发展的高峰时期。而墓葬壁画具多元价值,既为美术史的重要发展环节的承载,亦是研究历史的形象材料。数百年前,上起两汉,下迄明清,这用实物、图像写就的史实绘就一副历史画卷,波澜壮阔。较之于二十四史等文字材料,它更生动、形象而又时刻绽放独有的魅力,亦为史学研究拓宽道路。宋代墓葬研究所涉颇广,在此不做详论,本文主要以宋代墓葬壁画为切入,就宋代墓葬壁画的盛行以及儒学文化对宋代墓葬壁画的影响做简单论述。
Following the Han and Tang dynasties, the tombs in the Song Dynasty both surpassed the former in terms of quantity, content and themes, and their integration was also stronger. This was the peak period for the development of tombs and murals. The multiple values of the murals of tombs are not only the bearing of the important development of art history, but also the image material of historical research. Hundreds of years ago, from the Han Dynasty, the next until the Ming and Qing Dynasties, which uses the kind, the history of the image is painted on a historical picture, magnificent. Compared with other historical materials such as the Twenty-Four Histories, it is more vivid and vivid in its charm. It also broadens the path for historical studies. The study of tombs in the Song Dynasty involved quite a wide range of works. This article does not elaborate in detail. This paper mainly focuses on the burial murals in the Song Dynasty, and briefly discusses the influence of the Confucianism on the tomb murals in the Song Dynasty.