我们的党在领导电影批评方面,是有过很好的经验的。通过马克思主义的艺术分析来影响广泛的电影观众,来影响广大的电影从业员的思想进步,这就是我们党在领导电影批评方面优良的传统。现在,我们在文艺战线开创了全新局面的时候,在电影事业出现了全面跃进的形势之下,来讨论一下组织电影批评队伍的问题,这就有了特殊的意义。说起来很惭愧,我们电影界有很多同志——这里面也包括有我自己——对子电影批评这一武器的重要性,经常是认识不足的。因此,近年来我们在这方面做的工作很少,专业的影评力量至今也很薄弱。右派分子钟惦棐、梅朵、姚芳藻这些人,在文学艺术界活动的时候首先便是利用了电影批评的武器,首先放火,首先敲起了一场向社会主义事业进攻的锣鼓;这一方面表现出他们存心反党反人民,早有筹谋;伹同 Our party has had very good experience in leading film criticism. It is our party’s fine tradition of leading film criticism to influence a broad audience of filmmakers through the analysis of Marxist art to influence the intellectual advancement of a large number of filmmakers. Now that we have started a whole new situation in the literary and art front, we have had a special significance in discussing the issue of organizing film criticism teams under the situation in which the movie industry has made a full leap forward. Ashamed to say, we have a lot of comrades in the film industry - which also includes myself - the importance of the film criticism of this weapon, often without understanding. Therefore, we have done very little in this area in recent years and the professional film and television critics have so far been weak. Rightists such as Zhong Kui-hsuan, Mei Duo and Yao Fangao first used the weapons of film criticism during the activities of the literary and art world. They first set off a fire and started a percussion attack on the cause of socialism. On the one hand They showed their intention to oppose the party and the anti-people. They planned long ago