《罗森格兰兹和吉尔登斯顿之死》(简称《罗》剧)是英国荒诞派戏剧的后起之秀汤姆·斯托帕德的成名作。《罗》剧最大的特点就是斯托帕德通过“寄生”于某些经典作品中的人物和情节而呈现出一种互文关系。虽有相似,更有不同。本文通过综合研究该剧中所体现的互文性文本仿拟式互文运用的共性与个性、继承与创新,进而深刻感受大家的荒诞戏剧艺术。 “The Rosen Glands and the Death of Giltenston” (“Lo” drama) is the famed masterpiece of Tom Stoppad, a rising star in British absurd theater. The greatest feature of “Luo” plays is that Stapall presents a intertextual relationship with the characters and plots in some classic works through “parasitic”. Although similar, more different. Through comprehensive study of the commonness and individuality, inheritance and innovation of imitation intertextuality embodied in the play, this article deeply feels the absurd drama art of everyone.