论文部分内容阅读
半个世纪前一个风雨交加、雷电大作的春日午后,一个十七岁的小女孩用娴熟的技法、精准的表现征服了苛刻的评委,成为第四届“上海之春”全国二胡比赛的头奖获得者。五十年后,第三十届“上海之春”上,年近古稀的闵惠芬以一席宝蓝色亮片晚礼服配白色纱质披肩,登上了“一江春水——闵惠芬上海之春获奖五十周年纪念音乐会”的舞台。无论是《逍遥津》有板有眼地演绎出汉献帝被逼宫后的捶胸顿足,声腔化的胡音准确抓住京剧唱腔中的气贯长虹,抑或是《洪湖主题随想》中革命者对人民的款款深情和英雄儿女大义凛然、慷慨赴死的磅礴气
A lunar afternoon of half a century ago, with a thunderstorm and thunder and lightning, a 17-year-old girl conquered the harsh judges with her skillful and precise performance and became the fourth “Shanghai Spring” national erhu competition First prize winner. Fifty years later, on the thirtieth, “Spring of Shanghai”, Min Hui-fen, a seventy-year-old gentleman, boasted a gauzy sequined evening dress with white gauze shawls and boarded the “Spring of a River - Min Huifen Shanghai Spring Awards 50th Anniversary Concert ”stage. Whether it is “Xiaoyaojin,” a bold interpretation of the Han Xian Empire was forced to beat the house after the wail, vocalization of the huyin accurately capture the Peking Opera singing in the air Changhong, or “Honghu theme of the dream,” the revolutionaries to the people of affection and heroes Children righteous awe-inspiring, generous to die of majestic