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从有第一部电视室内剧《渴望》后,我们就开始关注电视室内剧的表演问题。当室内剧已拍摄了《编辑部的故事》、《上海一家人》、《风雨丽人》、《明天不是梦》,以及近期放映的《皇城根儿》、《爱你没商量》等一批后,我们发现室内剧表演的特性方面又有许多发展。特别是在看了《爱》剧后,我想到的是:室内剧表演特性的拓展;室内剧表演的戏剧性实质以及室内剧要求人物艺术形象的完整性等问题。室内剧表演特性的拓展看《渴望》后,我曾对室内剧表演特性归纳过四点:它应是程式化最低的一种表演;是“内”多于“外”的表演;是具有电影、戏剧表演兼容性的一种表演;也是对演员表演素质要求较高的一种表演。如果以室内剧表演的这四个特点来要求《爱》剧,
After having the first TV series “Longing,” we started to pay attention to the performance of the TV series. When the indoor drama has been filmed “Editorial Story”, “Shanghai’s family”, “Beauty in the Wind”, “Tomorrow is not a dream”, and the recent screening of “Imperial City root”, “I love you did not discuss” and a number of other , We found that there are many developments in the characteristics of theatrical performances. Especially after seeing the love drama, I think of the following issues: the expansion of the performance characteristics of the in-theater drama; the dramatic nature of the drama in the in-house theater; and the integrity of the artistic image of the in-room drama. After the “longing,” I have summarized four characteristics of the performance of the indoor drama: it should be the one with the lowest stylization; it is the one with “more” than “the outer” performance; the one with the movie , A performance of drama performance compatibility; also a high performance performer performing a request. If the four characteristics of the indoor drama to demand “love” drama,