儿童音乐剧故事片《开心哆来咪》的剧本,先后几经周折最终还是转入由张建亚来执导,这也许是“命该如此”吧!张建亚其人曾经因执导《三毛从军记》荣获了93年“金鸡奖”最佳儿童片奖,最佳导演提名。又于94年荣获“童牛奖”最佳导演奖,最佳影片奖。95年他的《绝境逢生》喜得“华表奖”的优秀影片奖和最佳导演奖,从而奠定了他在影坛上的地位,人们从此对他也刮目相看了。 提起这些,张建亚却说那都是过去的事了,而眼下是如何导好我国第一部儿童音乐喜剧片。经过思考,他认为应该跳出伪儿童片的圈子,就要勇于创新。他决心打破以往拍儿童片的旧框框,走出四平八稳的套路,要把儿童那种率真的天性表现出来。使影片的表现形式要有张扬、宣泄、夸张的动感,似流水、似狂风、似飞雪、似小雨激荡人心,时时给人以新鲜的感受。 他还要求摄影师能不用三角架就不用,让孩子们以跳动的感觉看待世界。或许有人认为这并不新鲜,早已有人用过,比如《有话好好说》、《重庆森林》等,但《开心哆来咪》这部影片没有一个镜头是用斯坦尼康拍摄的;可整个 Children’s musical feature film “happy duo Mi” script, has twists and turns eventually turn into by Zhang Jian Ya to be directed, this may be “life so”! Zhang Jianya who directed “San Mao from the Army” won the 93 Year “Golden Rooster Award” Best Children’s Film Award, Best Director Nomination. In 94 won the “Tongniu Award” Best Director Award, Best Film Award. 95 years of his “desperate” happy “Hua Biao” outstanding film award and Best Director Award, which laid him in the film’s position, people from this also admired him. Mentioning these, Zhang Jianya said that it was all a thing of the past, but at the moment it is how to guide China’s first children’s music comedy. After thinking, he thinks we should jump out of the circle of fake children’s films, we must be bold in innovation. He is determined to break the old frame of filming children’s films and to get out of the smooth course of action so as to show the genuine nature of children. The film’s manifestations should be publicity, catharsis, exaggeration of the dynamic, like water, like the wind, like blizzard, like rain agitated, from time to time gives a fresh feeling. He also asked photographers not to use a tripod would not, let the children look at the world with a beating feeling. Some people may think this is not new, some people have already used, such as “there are things to say,” “Chongqing Forest” and so on, but “happy duo Lai Mi” is not a film shot with Steadicam; the whole