7月15日,上午十点半,央视一号演播大厅二楼狭窄而简陋的回廊一隅临时搭建的灯光控制区域,三位灯光师正在为下午的节目录制进行灯光调试。尽管录制的只是一期普通的季播节目,从开策划会、设计图纸,到装台、合光、走台、彩排等这些工序,他们已经连续工作了三十多天,经常要工作到凌晨两三点,该节目的灯光总设计正是我们今天要访谈的主角。 July 15, at half past ten in the morning, on the second floor of the studio on the second floor of the CCTV I Studio, a temporary lighting control zone was set up at the corner of the narrow corridors. The three lighting designers were debugging lights for the afternoon recording. Although recording only an ordinary quarterly program, they have been working continuously for more than 30 days from planning, design drawings, to loading, combining, walking, rehearsing, etc., and often have to work until midnight Two or three, the show’s total light design is the protagonist we are interviewing today.