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对美术史的发掘与研究,可以有不同的切入点。有时候,通过一张普通的合作画,也能牵引出一段内容丰富的美术史。比如,岭南画家苏卧农在1931年的一张《秋艳图》上这样题道:“辛未秋九月雅集春睡画院作《秋艳图》,容星哲秋葵,李文珪秋菊,黎雄才秋兰,伍佩荣老少年,余补丹桂并志,苏卧农。”从画面上可以看到,位于左下角的秋葵和秋兰与位于右下角的秋菊互相呼应。从左下方向上伸出的老少年,与画
The art history of the excavation and research, you can have different entry points. Sometimes, through an ordinary collaborative painting, you can also lead a rich art history. For example, the Lingnan painter Su Suonong in 1931, a “Autumn and Yan Tu” on this topic: “Xin Weiqiu September Jiya Spring Sleeping Painting Academy as” Qiu Yan, “Rong Yun stars okra, Chrysanthemum, Li Xiongcai Qiulan, Wu Peirong old and young, Yu Bugan and Gui Zhi, Su benevolence. ”Can be seen from the screen, located in the lower left corner of the okra and autumn Qi and the lower right corner of the Chrysanthemum echo each other. Old and young people sticking out from the bottom left, and painting