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元代是中国文人画发展的成熟时期,黄公望作为最有代表性的文人画家,对其经典作品《富春山居图》艺术特点的分析与研究,对于我们认识和借鉴传统有重要的意义。《富春山居图》诗书画相生,以朴素的笔墨语言表达简淡深远的意境。从构图看,黄公望将观者的平远视角引向更为深远的意境,超然物外,是元代文人以意构景、以趣运法的典范,真正达到文人所追求的“萧条淡泊”、“平淡天真”的至高艺术审美境界。画中所呈现的山水共天一色的艺术形式和感染力是其绘画思想和艺术特色的外化与自然呈现,探讨《富春山居图》的形式和语言特色所带给我们的启示,对绘画实践具有指导意义。
The Yuan Dynasty is a mature period for the development of Chinese literati painting. As the most representative literati painter, Huang Gongwang analyzed and studied the artistic features of his classic “Fuchun Residence”, which is of great significance for us to recognize and learn from tradition. “Fuchun mountain map” poetry calligraphy and painting, simple language to express simple and profound artistic conception. From the view of composition, Huang Gongwang leads the view of the viewer to the more far-reaching artistic conception and transcendental objects, which is the model of Yuan Yun’s literary genre, “,” Plain naive “aesthetic artistic realm of the highest. The artistic style and contagious power of landscape painting presented in the painting is the externalization and natural presentation of its painting thoughts and artistic features. It explores the enlightenment brought by the form and linguistic features of ”Fuchun Residence" Practice is instructive.