人们似乎都不再问阿弗莱克那个问题“你是怎么想起来去做导演的”?而是愿意踏踏实实坐下来听他聊—聊剧本、人物和创作初衷,甚至是政治。好莱坞仿佛从天而降—般突然出现了—个才华横溢的导演,看惯成名捷径套路的人们起初并未接受。当年,他的导演处女作《失踪宝贝》的成功看上去是个侥幸,人们只能称赞他的勇气;到了第二部《城中大盗》时,人们觉得他是个聪明而善于学习的年轻人,他保持了上—部片子的导演水准,并确立了—种阴郁而强有力的叙事风格,人们那会儿承认他的才气;但是,到了他的第三部电影《逃离德黑兰》,整个好莱坞爆发出 People seem to no longer ask Affleck’s question, “How do you think about becoming a director?” Instead, they are willing to sit down and listen to him - chatting with scripts, characters and original ideas, and even politics. Hollywood seems to fall from the sky - as a sudden emergence of a talented director, who was accustomed to the short cut of the famous people did not initially accepted. That year, the success of his directorial debut, “Missing Baby” seemed a chance, and one could only praise his courage; when it came to the second “Town Thieves,” people thought he was a smart, good-looking young man who kept The filmmaker’s directorial standards and the establishment of a dark and powerful narrative style that people would later recognize as his talent; but by his third movie, Escape Tehran, the entire Hollywood erupted