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在20世纪80年代中期文学“向内转”的趋向中,马原的《虚构》无疑是一个不同寻常的文本。解开这个文本艺术创新的奥秘,把它放在马原最欣赏的外国小说作品谱系里去读解,会发现马原的创新最初的踪迹。都说博尔赫斯对中国当代小说艺术变革起到举足轻重的作用,但究竟重要到何等程度,并不是理论阐述可以证明的,而是要通过具体的文本分析才可确定。本文试图通过清理一篇典型之作,来剖析中国当代小说如何与西方经典文本对话,也由此清理当代小说最初的创新方式和道路。
In the mid-1980s literature “turn inward” trend, Ma Yuan’s “fiction” is undoubtedly an unusual text. Unraveling the mystery of this textual art innovation and reading it in the pedigree of foreign novels that Mahara most admires will reveal the initial traces of Makino’s innovation. All say that Borges plays an important role in the art revolution of contemporary Chinese novels, but to what extent it is important, it can not be proved by theoretical explanations, but only through specific textual analysis. This article tries to analyze how Chinese contemporary novels talk to western classical texts by cleaning up a typical work, and also to clean up the initial innovative ways and paths of contemporary novels.