摄影画刊曾是纪实摄影的摇篮,在种族隔离时代,南非《鼓》培养和训练了一代图片编辑和纪实摄影家,他们的工作在表征殖民治理和种族和解进程中起重要作用,但相关研究寥寥。本文通过摄影的视角,运用人类学方法,从《鼓》与摄影、种族和解、黑人城市化、非洲世界化四个方面展开讨论《鼓》与1950-60年代南非摄影及社会。 Photographing was once the cradle of documentary photography. In the apartheid era, South Africa “drums” trained and trained a generation of photo-editing and documentary photographers whose work played an important role in characterizing colonial governance and racial reconciliation. However, relevant studies Few. This article explores “Drum” and South Africa’s photography and society in the 1950-60’s from four aspects of “drumming” and photography, racial reconciliation, urbanization of black people and globalization of Africa through the perspective of photography and anthropological methods.