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本文针对中国漆画艺术当下所面临的困境,讨论了有关这门艺术的几个基本学理问题。提出:一、漆画需要文化的语境,将当代漆画与传统大漆工艺割裂开来,必将导致这门艺术最终脱离漆文化的传统语境,最终失去独立的审美价值;二、漆画艺术要能在新的时代环境下别开生面、又自成体系地完成其现代性转换,就必须首先从传统漆工艺中开掘和发展不同于其他画种的技术语汇。进而认为:根据漆画材料与技法的自身特性,它似乎可有更适于采用二维的表现形式、更长于以肌理表达抽象的意念、更宜于传达东方人所特有的人文精神等画法和画体上的界定。
In the light of the current difficulties faced by Chinese lacquer art, this article discusses several basic academic issues concerning this art. The first is that the lacquer painting needs the cultural context and the contemporary lacquer painting will be separated from the traditional lacquer craft, which will eventually lead the art out of the traditional context of lacquer culture and eventually lose the aesthetic value of independence. Second, To take a fresh look at the art of painting in a new era and to complete its modern transformation in a systematic manner, art must first explore and develop technical terms different from those of other kinds of art from the traditional lacquer art. Then it is concluded that according to the characteristics of lacquering materials and techniques, it seems to be more suitable to adopt two-dimensional forms of expression, longer than to express the abstract idea of texture, and more appropriate to convey the oriental unique humanistic spirit And painting on the definition.