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费斯克在梳理《荧幕》杂志创建的“文本主体”概念时论到文本主体的保守性。一方面,现实主义叙事提供的优势观看地位将受众置于超话语的位置,并因此使文本所表现出的矛盾在受众头脑中得到解决;另一方面,受众在矛盾解决中获得快感或慰藉,因此更主动滑向现实主义叙事为其提供的文本主体,进而将矛盾留在文本中,不流转进社会体验中。借此保守性,大众文化消解激进革命的可能性。
Fiske argues for the conservation of the subject of text in combing the notion of “text subject” created by Screen magazine. On the one hand, the superior viewing position provided by the realist narrative places the audience in a position of super-discourse and thus causes the contradictions shown in the text to be resolved in the minds of the audience; on the other hand, the audience gains pleasure or comfort in the conflict resolution, Therefore, it is more active in sliding to the main body of text provided by the narratives of realism, and then leaving the contradictions in the text and not flowing into the social experience. With this conservative, popular culture eliminates the possibility of radical revolution.