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近年来,“观察电影”(Observational Cinema)一直是西方民族志电影的重要类型。本文阐述了“观察电影”的基本发展阶段,分析并归纳了其主要观点与方法,强调了在电影认识论、立场、内容、叙事、感觉等方面观察电影与传统民族志电影的根本差异,以此窥探作为当代实验民族志的一种新类型的“观察电影”生产人类学知识的可能性与可行性。
In recent years, “Observational Cinema” has been an important genre of Western ethnographic films. This article expounds the basic stage of development of “watching movies”, analyzes and summarizes its main ideas and methods, emphasizes the fundamental differences between films and traditional ethnographic films in terms of epistemology of movies, position, content, narration and feeling, In order to explore the possibility and feasibility of a new type of “observation film” production anthropology as a contemporary experimental ethnography.