德彪西并不喜欢“印象派”这个术语。他似乎仍然将之与最初被艺术评论家所指代的莫奈那幅名为《日出·印象》(Impression:Seleil levant)的画作联系在一起。它曾是评论家挖苦奚落艺术家的证明:“印象……多么自由,多么简化的工艺!壁纸图案的毛坯都比这幅海景画完整。”当艺术家自己完全乐于接受这个术语时,它也就失去了原本的贬义。我们尚不清楚当它应用在音乐而不是视觉艺术上确切代表什么,但我们大致可以意会, Debussy does not like the term “Impressionism.” He still seems to associate it with the Monet painting entitled “Impression: Seleil Levant”, originally referred to by art critics. It was a proof that critics sarcastically taunt the artist: “Impression ... how free and how easy it is to craft the wallpaper!” "When the artist is entirely open to the term, It lost its original derogatory. We do not yet know exactly what it represents when applied to music, not visual art, but we can generally see,