论文部分内容阅读
论文旨在遵循美学原则的基础上,从其精神性,艺术性来展现它独特的魅力,著名漆画艺术家乔十光先生说绘画具有三要素:精神内涵、形式仪表、材料技术。它将精神内涵是放在绘画创作的首要因素上,即是说绘画是人的精神的产物,创作过程是画者的心与周遭世界联系的直接产物,体现出画者的精神面貌和个人修养。论文在综合论述漆画通过画面的意识形态及画同材料的结合来表述作者的创作意图以及回归到人自身本质问题的思考,一切的创作皆来源于作者对生活和对自身发展的思索。寻求到精神的归属,回归到绘画本质的问题上来:一切绘画都是源于对“心”的感受,感受心的力量,如同电闪雷鸣般震撼。
The thesis aims to follow the principle of aesthetics and show its unique charm from its spirituality and artistry. Mr. Qiao Zhaoguang, a famous lacquer artist, said that painting has three elements: spiritual connotation, form and meter, and material technology. It places the spiritual connotation on the primary factor of painting creation, that is to say, painting is the product of the human spirit. The creation process is the direct product of the artist’s heart and the world around him, reflecting the artist’s mental outlook and personal accomplishment . The thesis elaborates on the lacquer painting through the combination of the ideology of the painting and the painting of the same material to express the author’s intention of creation and return to the essence of man himself. All creation comes from the author’s consideration of life and his own development. Seeking spiritual ownership, return to the essence of the painting: all the paintings are derived from the “heart” feeling, feel the power of the heart, as thunder and lightning shook.