观华山的画,笔笔有情,幅幅传神,彼此相生而相应,浓淡相间而相成,拆开则逐物有致,合拢则通体联络,密不嫌其迫塞,疏不嫌其空松,艳不嫌其俗媚,简不嫌其枯寂,墨色蓊郁韵味浓醇,一片奇气,全从纸上浮出。初识华山,是在一次中国画研讨会上,他留给我的粗廓印象是儒雅安稳,空灵智慧,如初阳春山,如映岚岩松,使人悄然动容。继之交往之后,发现其果然人品高妙,襟抱似雪,所以点墨落纸,尽成秀色。进而相与切磋,渐得华山和他的水墨天地的秘密。人说一个艺术家的作品最能反映一个艺术家的个性,从观华山的水墨之道,既有与传统水墨相吻合的承继之 View Huashan’s paintings, pen and pencil affectionate, amplitude vivid, each other and the corresponding phase, the phase contrast and phase, apart by the article has caused the closure of the whole body contact, dense its obstruction, Yan does not mean its vulgar beauty, Jane is not too dead, mellow Yu Yun flavor thick, a Qi Qi, all from the paper surfaced. First met Huashan, at a Chinese painting seminar, he left me a rough impression is refined and secure, ethereal wisdom, such as Chuyang Spring Hill, such as Ying Lan Yansong, people quietly moving. Followed by exchanges, and found it really good character, lapel hold snow, so the point of ink, make into a show color. Then phase and learn from, gradually Huashan and his world of ink secret. People say that the works of an artist can best reflect the individuality of an artist. From the perspective of Huashan’s ink painting, both of them inherit the traditional ink and wash