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本文就当今音乐界出现的“民族唱法”这一现象,通过对其的成因、性质的及其唱法演变过程进行分析,肯定“民族唱法”声乐流派的形成是中国声乐发展的进步,但同时也是中国民歌“民族特性”缺失和民歌演唱仿效效应产生的根本原因。中国的真正的民族唱法应存在曲戏曲中,存在于原生态民歌中。在民族声乐的发展上,应建立民族声乐流派多元化的思想,推进中国民族声乐的繁荣发展。
This paper analyzes the phenomenon of “national singing ” appearing in the music field today, and confirms that the formation of the “national singing ” vocal music genre is the progress of the development of vocal music in China , But it is also the root cause of the lack of Chinese folk song “national characteristics ” and the imitation effect of folk songs. China’s real ethnic singing should exist in the opera, there in the original ecological folk songs. In the development of national vocal music, we should establish the diversified thoughts of ethnic vocal music genres and promote the prosperity and development of Chinese national vocal music.