班固执持《诗》学经义观念,推衍赋为古诗之流,后世论赋缘起者承之并有所发挥,形成“诗—骚—赋”的流变体系,障蔽和模糊了赋体文学与楚辞的直接流承关系,并且将赋的批评纳入诗教的范畴,已偏离了“赋”的本义,疏离了赋体文学的本真,赋非自《诗》始。《诗赋略》“赋分四家”预示了赋的渊源,揭示了赋体文学定型过程中对其他文体因素的借鉴和吸收,故赋渊源于楚辞,宋赋承之,开启汉赋之制,在“骚—赋”嬗变过程中又吸收先秦隐语、战国散文及民间文学等文体因素入赋,赋体文学在汉代逐渐成熟并走向兴盛。 Ban Gu holds the concept of “learning from the poem”, promotes the flow of ancient poems, and inherits and gives play to the origins of the later generation of scholarship to form the rheological system of “Poetry-Sao-Fu” And the direct flow and inheritance of the Fu literature and the Chu poetry, and has included the criticism of Fu into the category of poetic teaching, which has deviated from the original meaning of “Fu”, alienated the authenticity of Fu Fu literature, . “Poems Fu slightly” “the division of four ” foreshadowed the origin of Fu, reveals the stylistic process of Fu genre literature reference and absorption of other stylistic factors, so Fu Yuan originated from the Song of Songs, Cheng Song, Han Fu In the evolution of “Sao - Fu ”, it absorbed the stylistic factors of the pre-Qin clan, the Warring States prose and folk literature, and the body literature gradually matured and flourished in the Han Dynasty.