本文将一部戏曲和一部小说放在一起比较,主要是因为在不同的形式上有相同的内容。《牡丹亭》和《聊斋志异》中的婚恋故事有极大的相似性。恋情的发展都是在非现实的情况下,前者是通过梦以及人鬼来实现,而后者多是人与狐鬼精魅。两部作品都在很大程度上对“欲”和“色”进行了肯定和描写。并且,对女性的刻画笔墨尤其多,《牡丹亭》里杜丽娘一枝独秀,《聊斋志异》中众多女性色彩纷呈,她们的共同点是会主动寻求情感和欲望。通过挖掘这些共性,可以窥探到明末清初这一时期的风潮,引起人们对婚姻,对人性,对女性更多的思考。 This article compares a drama with a novel mainly because of the same content in different forms. There is a great similarity between the love stories in The Peony Pavilion and Strange Stories in a Lover Studio. The development of romance is in unrealistic circumstances, the former is achieved through dreams and ghosts, and the latter are mostly human and fox ghosts charm. To a large extent, both works have affirmed and described “desire ” and “color ”. In addition, there are a lot of portrayals on women, such as “The Peony Pavilion”, where many of the women in the “Strange Tales of a Lonely Studio” are colorful and their common point is that they will actively seek emotions and desires. By digging these common features, one can glimpse into the wave of the late Ming and early Qing dynasties and cause more people to think more about marriage, human nature, and women.