叶景葵先生在为吴渔山的兰竹写的跋文中,论及了渔山的用笔,并反驳了认为渔山中年皈教后画用西法之说,现节录于下:‘渔山画宗元季,长于运笔,其题大痴《富春山卷》云:“笔法游戏如草篆。”又题《陡壑密林图》云:“画法如草篆奇籀。”自题画云:“元人择幽僻地,构层楼为画所,朝起看云烟变幻,欣 In his postscript written by Lan Bamboo in Wuyushan, Mr. Ye Jing Kui discussed the use of pen in Yushan and refuted the argument that the painting of the Western Han Dynasty after the conversion of Yushan Middle Ages was now quoted as follows: ’Yushan Painting The first quarter of the year, longer than the transport of the pen, the title of the idol, “Fuchun San Juan” cloud: “stroke game such as grass seal.” Also entitled “steep valleys jungle map” cloud: "Yuan people choose secluded, layered structure for the painting, look changeable clouds, Yan