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福建虽地处边缘,在文化与艺术上却有着自身的韧性与特质。在千年前的宋代,福建文化的繁盛已不让中原。文化重心的南迁、长期的和平与发展,便利的水运与畅通的贸易,宋代的福建空前繁盛起来,拥有了当时国内最多的书院、最多的进士、印书最多的书坊。南宋时,“福建出秀才”成为一时的社会文化现象。宋代的福建产生了许多具有跨时代影响的文化巨人:理学家杨时、罗从彦、李桐、朱熹; 史学家郑樵、袁枢;法医学开创者宋慈;文学家杨亿、柳永、张元斡、刘克庄;书法家蔡襄;道教白玉蟾;政治家章得象、李纲等人。他们都为中华文化的发展做出了卓越的贡献。可惜,这样的景象不仅是空前,也是绝后的。明清之后,由于海禁,以及经济文化中心的位移,福建渐渐边缘化了。不过,清末一旦打开沿海国门,这块深藏丰厚底蕴的土地又有了新的生机,产生了文化巨匠林则徐、严复、林纾等人。
Although Fujian is on the verge of it, it has its own tenacity and trait in culture and art. In the Song Dynasty thousands of years ago, the prosperity of Fujian’s culture had prevented the Central Plains. The cultural center of the south moved to the long-term peace and development, convenient water transport and smooth trade, Fujian unprecedented prosperity in the Song Dynasty, with the largest number of academies, most of the jinshi, most bookstores. When the Southern Song Dynasty, “Fujian’s talent” has become a temporary social and cultural phenomenon. Song Dynasty Fujian produced many cultural giants with intergenerational influences: Neo-Confucianists Yang Shi, Luo Congyan, Li Tong, Zhu Xi; historians Zheng Qiao and Yuan Shu; forensic science founders Song Ci; writers Yang Yi, Liu Yong and Zhang Yuan-mo , Liu Kezhuang; calligrapher Cai Xiang; Taoist white jade toad; politician Zhang Dexiang, Li Gang and others. They all made outstanding contributions to the development of Chinese culture. Unfortunately, such a scene is not only unprecedented but also unprecedented. After the Ming and Qing Dynasties, Fujian was gradually marginalized due to the ban on embargoes and the displacement of economic and cultural centers. However, once the coastal country was opened in the late Qing dynasty, this piece of rich and profound land again gave birth to new vitality and created cultural masters Lin Zexu, Yan Fu and Lin Shu.