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当《孽债》中那一口软糯香浓的上海话回荡在大街小巷,当影视题材上海热在“人约黄昏”的“风月”之中不知不觉地把你轻轻“摇到外婆桥”时,曾经有过极大辉煌的海派电影却始终呈一种低糜徘徊之状,少有令人称道的佳片诞生。回首往昔,从情节曲折动人、人物真实丰富的现实主义影片《渔光曲》,到题材富有个性、内容不落俗套的“伤痕文艺,,类作品《巴山夜雨》;由真正反映都市下层贫民的悲惨遭遇以及所体现出的那种崇高人性的《马路天使》,到对建国十七年来历史进行深刻反思、把笔触深到人物内心世界的《天云山传奇》;从如同汹涌澎湃的巨浪般将深刻思想性同高度艺术感染力有机融合在一起,令你感受到一种愁不尽、恨不休的心灵震憾的《一江春水向东流》,直到如涓涓的
When the “evil debt” in a soft and fragrant Shanghai dialect echoed in the streets, when the Shanghai theme of film and television hot “people about dusk” in the “romantic” unwittingly gently move you to grandma Bridge “, there have been great glory of the Shanghai movie has always been a kind of low moxibustion in the shape of few commendable good film was born. Looking back, from the twists and turns of the plot, real characters full of rich realism film ”Fishing“, to the theme of rich personality, unconventional content of ”Scar Art,“ ”Bar Hill rainy night“; by the real reflection of urban poor The tragedy and the ”noble ancients“ of the ”road angels“ that embody the profound remembrance of the history of the 17 years after the founding of the People’s Republic of China; Waves will be profound ideological and highly artistic appeal of the organic integration, so that you feel a sad, endless heart of the soul shocked ”a river flow eastward", until such as trickle