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中国电影自2002年《英雄》问世以来,开创了中国当代电影史的一个与以往不同的“大片时代”。现在,各界对大片众说纷纭;对大片的功过各执一词;对大片的褒奖不尽一致。尽管这样,大片已经成为我们认识、判断、分析中国当代电影不容忽视的一个领域。对大片的研究也理当进入学术批评的视野。为此,中国艺术研究院博士生导师贾磊磊和影视研究所的几位电影学的博士生、硕士生一起,对中国大片的源流和发展走向,进行分析和讨论,我刊特节选几篇文章的精要,以求大家对大片、对中国电影有更进一步的认识与了解。
Since the advent of “hero” in 2002, Chinese film has created a “big era” different from the past in the history of Chinese contemporary film. Nowadays, people from all walks of life have different views on the big films; In spite of this, the blockbuster has become an area we should recognize, judge and analyze contemporary Chinese movies. The study of the blockbuster should also be considered in the field of academic criticism. To this end, China Academy of Art doctoral tutor Jia Leilei and the Institute of Film and Television film several doctoral students, master’s students together on the origins and development of large tracts of China to conduct analysis and discussion, I especially selected a few articles The essence, in order to let everybody blockbuster, to have the Chinese movie further understanding and understanding.