唐太宗李世民命弘文馆拓书人摹拓王羲之《十七帖》,此为帖学书法的萌芽。宋太宗赵光义命王著编次摹刻《淳化阁法帖》,欧阳修又予以阐发帖学书法所欲表现的艺术内蕴。使帖学书法真正确立。自此。帖学书法兴起,成为宋、元两代书法的主流。而明代则沿其体势继续向前发展。明代历朝皇帝和外藩诸王,皆爱好书法,因此,丛帖汇刻之风尤胜于前昔。更为重要的是,帖学书法在社会上更为广泛普及,法帖传刻亦十分活跃。虽然明代书法继承了宋元帖学之路,但并未固步 Emperor Taizong Li Shiming Hong Hong Museum extension book writer Extension of Wang Xizhi “Seventeen Posts”, this is the bud of calligraphy calligraphy. Song Taizong Zhao Guangyi Wang ordered the edition of “Chunhua Pavilion Fateh”, Ouyang Xiu and to be elucidated Essay calligraphy want to show the artistic connotation. Make calligraphy calligraphy really established. Since then. Calligraphy calligraphy rise, as the Song and Yuan Dynasties calligraphy mainstream. The Ming Dynasty along the body to move forward. Ming dynasties emperors and outer kings, are all hobby calligraphy, therefore, the style of remittances Cong especially prevailing in the past. More importantly, calligraphy calligraphy is more widely used in the society and Fautie is also very active. Although the Ming Dynasty calligraphy inherited the Song and Yuan Road, but not solid