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中国传统书法的书写技法和艺术只是针对黑色的字而言。对于衬映黑字背景的纸张,只是考虑其质地,至于衬字的背景艺术并没有进入书法艺术创作和审美的视野,没有自己独立的地位。张安邦在继承中国传统书法经典的同时,把贵州少数民族民间文化艺术的多种元素融入古老的书法艺术创作之中,创立了“蜡染书法”这一书法艺术新品种,使在传统书法中从来不被关注的黑字的衬景艺术走向了前台,成为书法艺术创作及审美的对象,具有了独立的地位,使书法从传统的黑白殿堂走向了多彩的艺术世界,给人耳目一新的感觉。
The writing techniques and art of traditional Chinese calligraphy are only for black words. For the background of black paper lining, just consider the texture, as lining background art did not enter the art of calligraphy and aesthetic vision, does not have its own independent status. Zhang Anbang inherited the traditional Chinese calligraphy classic at the same time, the Guizhou ethnic minority folk culture and the arts into a variety of elements of ancient calligraphy and art creation, created the “batik calligraphy” a new variety of calligraphy, so that in traditional calligraphy The art of setting up a black background, which has never been noticed, has come to the foreground and has become an object of calligraphy creation and aesthetics. It has an independent status and has transformed calligraphy from a traditional black and white temple to a colorful artistic world, giving a fresh and refreshing impression.