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莫高窟作为世界上现存规模最大、内容最丰富的佛教艺术圣地,历史悠久,是中华民族的艺术瑰宝。佛教自传入中国以来,佛教艺术渗透至中华人民思想、观念当中,并在一定程度上影响着人们的审美观念,人们运用绘画的形式将佛教精髓保留至今,纵观莫高窟北朝佛教壁画,不难发现我国传统绘画技法充分体现在其中。本文将对敦煌莫高窟北朝佛教壁画进行分析和研究,并阐述传统绘画技法在莫高窟北朝壁画中的运用。
Mogao Grottoes, as the largest and most abundant Buddhist sacred place in the world, has a long history and is an art treasures of the Chinese nation. Buddhism has infiltrated the Chinese people’s thoughts and concepts since it was introduced into China. To a certain extent, it affects people’s aesthetic concepts. People use the form of painting to keep the essence of Buddhism so far. Looking at the Buddhist murals in the Northern Dynasty of Mogao Grottoes, Not difficult to find that our traditional painting techniques fully embodied in them. This article will analyze and study the Northern Buddhist Buddhist murals at the Mogao Grottoes in Dunhuang and elaborate the application of traditional techniques of painting in the Murals of the Northern Dynasties at the Mogao Grottoes.