就象我们时常对事物本身很难作出准确的阐释,需要假借另一事物进行类比解释一样,演员对人物形象的创作同样也是以表演本体难以明晰的。本文试图通过对一些实验和生活现象的认识与剖析,来谈谈演员的创作问题。随着科学文艺思潮的掀起以及心理学、相对论、控制论、信息论等科学原理的相继出现,给表演艺术的研究开拓了新的领域,许多表演上的观念问题和创作方法与此同时也得以新的解释。 Just as we often find it difficult to accurately explain the things themselves, we need analogies to explain things on the basis of other things. Therefore, the performers’ creation of character images is also difficult to be clearly defined by the performance itself. This article attempts to talk about the creation of actors by understanding and analyzing some experimental and life phenomena. With the emergence of the trend of scientific literature and art and the advent of scientific theories such as psychology, relativity, cybernetics and information theory, new fields have been opened up for the study of performing arts. Many performance notions and methods of creation have also been revamped explanation of.