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看仲济昆的油画作品,我首先想到了质朴与壮美这样两个美学概念。在这些作品中,仲济昆展示了对风景创作与写生的热情。在厚重而奔放的笔触中,我读到作者对自然世界充满个性的诠释。从古至今,人们寄情于山水,并从山水中引发出对生命以及人生观的感思。所谓“知者乐水,仁者乐山”即属此类。在儒家的心目中,自然山水是作为人的品格的外在映照而获得审美意义的。排除儒家寓于其中的伦理说教意味以外,
Looking at the oil paintings of Zhong Jijun, I first came up with two aesthetic concepts of simplicity and beauty. Among these works, Zhong Jijun demonstrated his enthusiasm for landscape creation and sketching. In the thick and bold brush strokes, I read the author’s interpretation of the natural world full of personality. Since ancient times, people love the landscape, and from the landscape triggered a sense of life and outlook on life. The so-called “knowledge of Le Shui, benevolent Leshan ” That is such. In the eyes of Confucianism, the natural landscape is aesthetic as an outward reflection of human character. Excluding the Confucian ethics in which the meaning of preaching,