曲艺批评又叫曲艺评论,是指曲艺批评家根据一定的思想立场和美学原则,对曲艺创作、演出、欣赏活动作出科学的分析、阐释和评价。它可以评说目前发生的各种曲艺现象,也可以对曲艺艺术的发生、发展、演变的历史进行考察研究,总结经验教训,以促进当代曲艺事业的健康发展。自古以来,曲艺批评就是一个相对薄弱的领域。探其原因,一是正统封建文人大都看不起曲艺这门大众化、通俗化的市井艺术,自然研究评说者甚少;二是曲艺是一门综合性艺术,理论头绪繁多,很难把它说清楚;三是录音录像技术还没发明以前,舞台影像无法保存,限 Folk art criticism, also known as folk art criticism, refers to the art critics who make scientific analysis, interpretation and evaluation on the creation, performance and appreciation of folk art according to certain ideological and aesthetic principles. It can comment on the current variety of folk art phenomena, but also can study the history of the occurrence, development and evolution of folk art and summarize the experiences and lessons so as to promote the healthy development of contemporary folk art. Since ancient times, folk art criticism is a relatively weak area. Explore the reason, first, most orthodox feudal writers look down on folk art this popularization, popularization of the city of art, natural research critics seldom; second is the art of music is a comprehensive art, the theory is numerous, it is difficult to make it clear; Third, the recording and recording technology has not been invented before, stage images can not be saved, limited