论文部分内容阅读
高尔基在话剧《底层》中塑造了一系列流浪者形象,揭露了残酷的社会现实和“底层人”不堪重负的生活状况。百年后的又一个世纪之交,当代俄罗斯剧作家伊·丹·施普里茨在以高尔基的《底层》为蓝本创作的剧本《小底层》中塑造了当下俄罗斯社会“边缘人”的群像。本文尝试从互文性视角解读《底层》与《小底层》人物在生存境遇、精神世界、人格特质、价值观念方面的趋同与偏差,探析当代俄罗斯剧作家对高尔基传统表现出的既继承又更新的复杂态度。
Gorky in the drama “the bottom” in shaping a series of homeless image, exposing the cruel social reality and “bottom ” overwhelmed the living conditions. A hundred years later, at the turn of the century, contemporary Russian playwright Idan Spreitz shaped the current Russian society “marginal man” in the “small base” script based on Gorky’s “bottom” Group image. This article attempts to interpret the convergence and deviation of the characters of “bottom” and “bottom” from the perspective of intertextuality in terms of living conditions, spiritual world, personality traits and values, and analyzes the contemporary inheritance and renewal of Gorkyl’s tradition by contemporary Russian dramatists. The complex attitude.