民间剪纸的造型形式是乡土百姓认识思维形式的体现,这种认识世界的思维形式表现在民间剪纸作品中常常带有的一种质朴亲切与圆融和谐的感觉。在乡民们的创作过程中,客观事物的外部形象早已不是模拟的参照物,而只是产生创作想象的诱发体,人与动植物的关系不是对象性的关系,而是共处和互动的关系。 The form of folk paper-cut is the embodiment of local people’s thinking mode of thinking. This way of thinking in the world of understanding is manifested in the sense of simplicity and harmony that is often found in folk paper-cut works. In the creative process of the villagers, the external image of the objective things is no longer a reference for the simulation, but an inducement to create creative imagination. The relationship between people and animals and plants is not object-oriented, but coexistence and interaction.