“有一类电影注定不是用来娱乐大众的,就像有一些国家注定没有面目,有一些河流注定没有名字,有一些人注定只能张大嘴巴却发不出声音。自从有了杜拉斯小说的风靡和《现代启示录》的成功,越南就注定只能在东方主义的想象中‘忍辱偷生’。在法国人的记忆里,越南象征着曾经纸醉金迷的殖民生涯和春风沉醉的异国恋情;而在美国人的眼里,越南是挥之不去的梦魇,把无数年轻而飞 ”There is a class of film destined not to entertain the public, just like some countries doomed to no face, some rivers are destined to have no name, some people are doomed to only open their mouth but can not make a sound.With the Duras novel Victorious and the success of “Modern Apocalypse”, Vietnam is doomed to be able to “endure shame” in orientalist imagination. In the memory of the French, Vietnam symbolizes the once-lucrative colonial career and exotic love affair of the spring breeze; In the eyes of the Americans, Vietnam is a lingering nightmare, flying countless young