从20世纪80年代的“现代书法”到90年代的“书法主义”,以书法为名义的视觉创新活动日见频繁,然而知识结构和艺术背景的差异,使绝大多数创作难以进入到一定层面的研讨。更何况在目前,任何一类以毛笔书写汉字的墨迹,都有可能通过某种渠道被认定为“书法”。对此,以下几个方面值得反思; 首先,书法在何种意义上成其为一种文化和艺术。 From the “modern calligraphy” in the 1980s to the “calligraphic” in the 90s, the visual innovation activities in the name of calligraphy became more and more frequent. However, the difference of knowledge structure and artistic background made it difficult for the vast majority of creations to enter a certain level Discussion. What’s more, at present, any type of ink that uses Chinese characters to write Chinese characters may be identified as “calligraphy” through some channels. In this regard, the following aspects worthy of reflection; First of all, calligraphy in what sense into a culture and art.