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贝多芬奏鸣曲是古典音乐宝库中的经典之作。其中第57号作品《热情》是最具贝多芬气质、最有代表性的奏鸣曲之一。研究贝多芬的音乐,离不开他所处的时代以及他个人的精神思想。本文尝试着以德国古典主义哲学思想中对艺术审美的“崇高性”为切入点,着眼于受德国古典主义哲学思想影响的贝多芬个人精神思想领域进行分析,旨在以探究作曲家个人思想活动为重点,从本质上挖掘《热情奏鸣曲》深层次的内涵,以便更好地接近作曲家创作的目的与思路。
Beethoven Sonata is a classical music treasure in the classic. Among them, No. 57 “Passion” is one of the most Beethoven’s most representative sonatas. Studying Beethoven’s music can not be separated from his own time and his personal spiritual thoughts. This thesis tries to analyze the “nobleness” of artistic aesthetics from the German classicism philosophical thought, and analyzes Beethoven’s personal spiritual thought field which is influenced by German classical philosophical thought in order to explore the individual composer Ideological activity as the key point, excavating the deep connotation of “passionate sonata” in essence in order to get closer to the purpose and thinking of the composer’s creation.