我认为60年代到70年代中期的文学“爆炸”不管是小说还是诗歌,都是由一种世界主义思想所维持。这种世界主义思想包括作家万能思想。在小说方面.像胡安·吉马朗埃斯·罗萨的《腹地:条条小路》、马里奥·巴尔加斯·略萨的《绿房子》、何塞·玛丽娅·阿格达斯的《所有的血》,作家都是力图解释世界。他们写跨越宏大历史阶段的大题材,试着运用新奇杰出的语言。诗歌方面就是埃内斯托·卡德纳尔,他企图以自己的作品表现整个美洲印第安人的历史。记者:这种世界主义的迫切想法由何而来?它来自那个时代或多或少带有普遍性的 I think the literature “Explosion” from the 1960s to the mid-1970s was maintained by a kind of cosmopolitanism regardless of whether it was a novel or a poem. This cosmopolitan ideology includes the writer’s universal thought. In fiction, like Juan de Guimarães Rosa’s Hinterlands: A Trail, Mario Vargas Llosa’s Green House, José María Agdas All the blood ", writers are trying to explain the world. They write big themes that span the grand historical phase and try to use the language of novelty and glory. Ernesto Cardenal, in poetry, attempts to present the history of the entire American Indian in her own work. Reporter: Where did the urgent idea of ​​such cosmopolitanism come from? It came from that era more or less universal