民俗活动的频繁给予了闽南民间职业芗剧团巨大的寅出市场,然而,演出市场的扩大也给剧团的音乐创作带来极大的负面影响,大多数的民间职业剧团在总体音乐布局、传统曲调的继承与新调的运用、文场乐器的配置与运用等方面存在着很大问题。一直以来,在闽南农村的各种民俗活动中,如神诞、祭祖、庆典等几乎免不了搬请戏班光临演出。而且每个地方的演出少至两三天,多则一两个月连续不断。一个剧团的剧目都演完了,就请其它剧团再接下去演,更有甚者,一个村邀请几个剧团同时演出,俗称“斗戏”。几乎是村 However, the expansion of the performance market also brought great negative impact on the music production of the troupe. Most of the private professional troupes in the overall music layout, the traditional melody Inheritance and the use of new tune, the configuration and use of music instruments there is a big problem. All along, folklore activities in the southern Fujian countryside, such as the birthday, ancestors, celebrations, etc. are almost invariably move the troupe come to perform. And the performance of each place as few as two or three days, as many as one or two months continuous. A theatrical repertoire are played out, please take the other troupe to take over, what is more, a village invited several theatrical troupe perform at the same time, commonly known as “fighting opera ”. Almost a village